"Though born in Paris, Surrealist cinema was conceived in Spain, the love-child of Luis Buñuel and Salvador Dalí. If either patriarch had lived to see the mirror succubi, the crab-armed women and the staircase orgies of Codex Atanicus, they’d be proud to claim Carlos Atanes as their offspring. Today, when pure surrealism has been almost abandoned in movies, it’s refreshing to see someone who remains dedicated to probing the mysterious subconscious and carrying on the tradition of Continental Surrealism, despite lack of funding and public indifference. The three films that comprise Codex Atanicus showa a passion for the irrational and a knack for nailing down the way dream concepts follow their own logic, morphing into new entities and images. Like his spiritual grandfather Dalí, Atanes is unabashedly egotistical to the point of self-parody, coining the adjective “Atanic” to describe his own movies; he’s also unafraid to tap into his own erotic impulses for material. The resulting films are intensely personal, and the effects uneven; but when viewing them, it’s impossible to complain that you’ve been exposed to something ordinary and expected..." - Read the whole review at 366 Weird Movies
More info about Carlos Atanes' films
at www.carlosatanes.com
More info about Carlos Atanes' films
at www.carlosatanes.com
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