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Photo by Susana Ortega |
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Photo by Susana Ortega |
The first short on the DVD, "Metaminds & Metabodies" is really hard to dissect and go through in detail. It's all taking place in a bar that is suppose to represent the waiting room for Hell... somehow, and it starts out with something that seems like a live performance where a girl is singing some strange song while being hooked into the wall through barbed wire. Meanwhile, a man is threatening her that he will eat a contract. Like I said, it first seemed like a live performance in the bar, but that kinda changed when the man gets shot after eating the contract and whatnot. Don't ask me what kind of contract it is, 'cause I don't know. Following scenes seemed pretty much random but I'm sure that Carlos Atanes had a point in all of this, and I would love to find out some day, but right now it all just seemed like random ideas put together. But, it offered some twisted moments, some gore and some naked chicks, so even if you don't understand what's going on, there's still some odd pleasures to find in this movie (...)"
Read the entire review at FILM BIZARRO
More info about Carlos Atanes films at
“Apparently Spain has its share of lunatics, too, if you take a look at Codex Atanicus: Three Wild Tales, a trio of short films by Spanish avant garde filmmaker Carlos Atanes, who’s been churning out mind-bending shorts since the early 1990s. The first and earliest, “Metaminds & Metabodies,” is a shot-on-video 20-minute fantasy about a beer hall outside the entrance to Hell, where a group of debauched arrivals live it up and raving women entertain the audience while lashed to the wall. Or something like that. A likely descendant of the Panic Movement which spawned filmmakers like Alejandro Jodorowsky and Fernando Arrabal, it quickly sets the pace for what’s to come and, despite the very low technical quality, it’s a suitably frenzied intro. Next up in “Morfing,” essentially a longer expansion on the same theme with Atanes playing “himself” as an unhinged director who wants to off himself while doing a TV pilot, and a girl intervenes to stop him by introducing him to a world of mutated, sexualized grotesqueries that, er, climaxes in a most unforgettable fashion. Oh, and it also features some now-famous Spanish filmmaking personalities, but I don’t want to ruin the surprise. Finally, “Welcome to Spain” must be the strangest tourist endorsement ever as two visiting guys by a roadside end up tangling with a quartet of psychos thrashing around with a bunch of chickens, coughing up blood, attacking each other, and yanking their pants down in a bright orange stairwell. It’s guaranteed to get a reaction even among seasoned experimental film fanatics. The collection is introduced by actress Arantxa Peña, who appears in many of his films. Certainly the perfect title for those who think they’ve seen it all.”
(From Mondo Digital)
More info about Carlos Atanes films at
Berislav Kucan reviews “CODEX ATANICUS” for Evil Dread.
“Codex Atanicus is a three story anthology by Spanish director Carlos Atanes. Before watching the movie I never heard of the guy, but the introduction video on the DVD by one of his regular actresses Arantxa Peña made me realize that I’m in for a hell of a ride. Experimental, bizarre, sick, strange – these are some of the words that describe the stories contained in Codex Atanicus.”
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More info about Carlos Atanes films at
Nic Brown reviews “CODEX ATANICUS” for B Movie Man:
“When one thinks of science fiction, many different films may come to mind: STAR WARS, 2001: A SPACE ODYSSEY, BLADE RUNNER, just to name a few. One film that most likely doesn’t jump immediately to mind is from Spanish writer/director Carlos Atanes called CODEX ATANICUS.
CODEX ATANICUS is a collection of three short films by Atanes: METAMINDS & METABODIES, MORFING and WELCOME TO SPAIN. All were made in the 1990s and represent Atanes’ interesting views on society, culture and the world around us. The classification as science fiction comes from amazon.com, but if you are looking for aliens and ray guns then you will be disappointed. These surreal visions bear much more resemblance to the style of David Lynch than Gene Rodenberry.
The viewer knows that CODEX ATANICUS will be different right from the introduction of the DVD. Arantxa Peña, one of the actresses featured in the short films, does the intro. She talks about working with Atanes, his vision and being a part of his world. Then in a typically Atanes surreal moment she drinks a whole glass of milk in one go in a toast to him and his works. “
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More info about Carlos Atanes films at